This project began with an exchange of film — my friend shot the first layer. And it was she who initiated the journey in a dream. In her frames there are windows: open, translucent, mysterious. I perceived them as portals to the subconscious. By overlaying my images with the second layer, I seemed to be traveling in her dream, peering into rooms that did not belong to me. Double exposure became a way to create a world on the edge: here there is no time, here there are no clear boundaries between dream and reality. Our images and hers merged and turned into a collective dream where everyone can see something recognizable.

I am a traveler in a dream, walking the streets of the unconscious, peering into the windows of other worlds, trying to record them.