Project explores the fragility of memory and the blurred boundary between reality and imagination. Against the backdrop of an unsettling time, the present begins to dissolve, dreams merge with lived experience, and false memories quietly take shape.

The photographs form a pseudo-archive of reconstructed history, assembled from discarded archival images. Familiar fragments are rearranged into a parallel reality that feels both intimate and strangely distant.

"Closed doors" become a metaphor for crossing into the hidden and the subconscious. Behind each one lies another version of memory, another possible story.

Ultimately, the project becomes a road movie through the subconscious — a journey in which it is no longer clear whether the dizziness comes from within or whether the world itself is drifting beyond the window of a moving car.

The work leaves one final question unresolved: how much of what we remember truly belongs to us?